Take a listen to the sort of thing you can make. This tutorial shows how to create something similar to both, an exciting unique sound with stock Ableton instruments. You might be familiar with the sounds of wave-sequencing from the Korg WaveStation, or the rhythmic envelopes of Native Instrument’s Absynth. Create your own patches with which are playable in real time with animated dynamic modulation for some unique and flexible sounds! Sequenced Modulation improves your sounds and playability. īy using this technique you will make unique and exciting rhythmic synth sounds only using stock Ableton instruments. We will be making this bendy modulated bass sound, though the technique stretches far further than just bass sounds, into pads, riffs, drums and beyond. This tutorial shows how to make a fat and exciting bass sound which you can play in real time by modulating the tonality to give complexity and giving rhythmic inflections which engage listeners and keep your mix clean and tidy But that can fill a mix and still lack punch and interest.
I'm normally a partisan for hardware but this is so much better than the original.Virtual synths can sound static and lifeless which leads many to overcompensate with layers. That problem is a thing of the past when you have the essentially unlimited patch storage resources of a computer. I know onboard memory was at a premium in 1990 but it made for no end of headaches. Keep in mind too that Korg's original and slightly daft memory allocation meant that changing a wavesequence affected all patches that carried the sequence and therefore all performances that carried the patch.
I owned two of the original Wavestations, one base and one EX in the '90s and the software is superior in every meaningful way: four times the polyphony (important when a single patch on the original could gobble up to 8 oscillators of computing power), graphic representation of wavesequences, and the addition of proper resonant filters. I'm almost exclusively a hardware guy the WS is my sole concession to software instruments. Even if you found a hardware Wavestation for cheap, you'll probably end up editing it using software, with more headaches than simply using the softsynth.
They are vastly different sounding and the Korg benefits from being ported over onto a software format. Christopher Winkels wrote:Buy the Wavestation softsynth and the Blofeld.
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